1.2 Given my own baroque proclivities, when I see a new performance of I do not judge its worth based on its fidelity to some never fully recoverable score or the creators purported intentions.Rather, I judge a production on whether it works aesthetically and whether it successfully communicates the emotional content of the musical drama.mind if Mark Morris or Sasha Waltz or now Wayne Mc Gregor uses Purcells score as the basis for modern terpsichorean experiments?
To be called one thing and christened another is actually very confusing and annoying. She later studied law at Birkbeck, University of London, while working as a literary agent.
The act of dressing the queen is richly multivalent, and for this viewer it brought to mind new historicist scholarship regarding the power of costume to constitute early modern identity.
But as this scholarship also tells us, identity is protean.
) was, according to ancient Greek and Roman sources, the founder and first queen of Carthage (modern-day Tunisia).
She is primarily known from the account given by the Roman poet Virgil in his epic, Aeneid.